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Two people, a man and a woman, are standing together some yards from the cabin, whispering and gesticulating violently, as is "their nature to.",

"Oh, if I had not given you that pistol," sobs Mona, who cannot conquer the horror of the thought that she has helped him to his death, "you would be alive and strong now.",

"What luck to find you here," says Geoffrey, stooping over the industrious spinner, and (after the slightest hesitation) kissing her fondly in spite of the presence of the old woman, who is regarding them with silent curiosity, largely mingled with admiration. The ancient dame sees plainly nothing strange in this embrace of Geoffrey's but rather something sweet and to be approved. She smiles amiably, and nods her old head, and mumbles some quaint Irish phrase about love and courtship and happy youth, as though the very sight of these handsome lovers fills her withered breast with glad recollections of bygone days, when she, too, had her "man" and her golden hopes. For deep down in the hearts of all the sons and daughters of Ireland, whether they be young or old, is a spice of romance living and inextinguishable.,

"You are not perhaps aware of it, but your tone is insulting," he begins, huskily. "Were you a man I could give you an answer, now, here; but as it is I am of course tied hand and foot. You can say to me what you please. And I shall bear it. Think as badly of me as you will. I am a schemer, a swindler, what you will!"

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"That isn't her name at all," says Geoffrey. "My father was a baronet, you know: she is Lady Rodney.",

"Loved nothing better than a—oh, how you must have misunderstood me!" says Rodney, with mournful earnestness, liberally sprinkled with reproach.,

Geoffrey is rushing hither and thither, without his hat, and without his temper, in a vain endeavor to secure the rebel and reduce him to order. He is growing warm, and his breath is coming more quickly than is exactly desirable; but, being possessed with the desire to conquer or die, he still holds on. He races madly over the ground, crying "Shoo!" every now and then (whatever that may mean) in a desperate tone, as though impressed with the belief that this simple and apparently harmless expletive must cow the foe.,

"How can I go," he says, without daring to look at her, "until, at least, I ask for forgiveness?" He feels more nervous, more crushed in the presence of this little wounded Irish girl with her pride and her grief, than he has ever felt in the presence of an offended fashionable beauty full of airs and caprices. "Mona, love makes one cruel: I ask you to remember that, because it is my only excuse," he says, warmly. "Don't condemn me altogether; but forgive me once more."